Daniel Pincham-Phipps
Visit Daniel Pincham-Phipps' page
The origin of my paintings was initially about abstracting and expressing the figure; the subject matter was gathered from autobiographical experiences, personal relationships, the people and the environment around me.
It was a journey of learning self-discovery of my medium and was well received. After some years, the series came to an ending, and I began to work with the less challenging subject matter. This was a period of rebirth, and a strong body of work began to evolve.
From 1979 to 1992, I illustrated for the Beano, Dandy, Topper, Beezer, Buster and Whizzer and Chips, Scooby-Doo, and Hanna Barbera. These concepts introduced themselves into my painting and were expressed with colour and indistinct form.
The acceptance of the new enabled me to move forwards, to a cohesive body of work, with ideas more expressive and outward-looking.
It was a journey of learning self-discovery of my medium and was well received. After some years, the series came to an ending, and I began to work with the less challenging subject matter. This was a period of rebirth, and a strong body of work began to evolve.
From 1979 to 1992, I illustrated for the Beano, Dandy, Topper, Beezer, Buster and Whizzer and Chips, Scooby-Doo, and Hanna Barbera. These concepts introduced themselves into my painting and were expressed with colour and indistinct form.
The acceptance of the new enabled me to move forwards, to a cohesive body of work, with ideas more expressive and outward-looking.
